A Fond Farewell

Happy Halloween!

Happy Halloween!

It’s the night of ghouls, goblins and ghosts. And like them, I’m gone in the morning.

I’ve had a tremendous amount of fun finding and interviewing artists and writers. But as much as I’ve enjoyed it, it’s time for me to get back to focusing on my writing career. I’m stepping down as the main content provider for the Bolthole blog.

So what does that mean for the blog? Well, the community has pitched ideas and concepts. Many of which sound great and promising. And I’m sure the RiaR will continue. I hope they have an easier time overcoming some of the challenges and issues I faced, and hope they can find an enduring passion for it.

Time will tell.

But before I go, I wanted to give a huge thanks to every author, publisher and artist who contributed to the blog. Their time and insight have made this a treasure trove of lessons and wisdom. A titanic thanks to Manuel Mesones for the background. And both he and the rest of my friends for their enduring support in trying times.

It’s only fitting that it should end on the only holiday when we take off our costumes and wear our real faces, as Zac Gorman perfectly explained. Even if others don’t realize they do it.

So own the night while you can. Happy Halloween!

-James Fadeley

Interview with Darius Hinks

When not strumming away at his guitar, Darius Hinks spends his time crafting novels for the Black Library. With his new book Orion: Tears of Isha about to be released, Hinks found some time to speak with us about it, and remind us that it often takes a character to craft a character.

He2etic: What is it that draws you to Warhammer over Warhammer 40k? What are your favourite things about the two universes?

Man of wonder, Darius Hinks.

Man of wonder, Darius Hinks.

Darius: Well, I live in Nottingham, so I have hands-on experience of a grimy, plague-ridden, semi-feudal society. That’s probably part of it.

The other thing that draws me in is the endless stream of lunatic heroes that spew out of GW’s design studio. The Warhammer universe is like some kind of weird cake stand, stacked with bizarre, gaudy characters. And they’re all just waiting for someone to pick them up and drop them into a novel.

I don’t really have a preference between the two settings. I look out for the characters I think no one else would tackle and see if I can fit them into a narrative. It’s just worked out that they’ve mostly been in the Warhammer setting.

He2etic: What do you think about the artwork for your novels?

Darius: The covers have all been spot on, but Sigvald in particular is just as I imagined him. If you peer closely at his expression it’s quite unnerving. He’s got such a dangerous gleam in his eye. It’s clear he’s about to do something entirely inappropriate. The artist was a chap called Cheoljoo Lee and I think he’s reet clever.

“It’s a long-held ambition of mine to write something this epic and it’s great to be on the home stretch and see all the threads coming together.”

 

He2etic: What hobbies do you enjoy? And what armies are your favourite?

Darius: I recently ‘painted’ some ogres, but I used orange and they now look like really angry fruit. My main hobbies are reading and trying to make music. I just rattled through Neil Gaiman’s latest children’s book, The Ocean at the End of the Lane, and I thought it was brilliant and terrifying. He’s great at describing parents from hell. There’s a good kitten in it too.

He2etic: What is the writing process like for you? If you were to describe the process in what word, what would it be?

Orion: Tears of Isha, by Darius Hinks

Orion: Tears of Isha, by Darius Hinks

Darius: I’ve always been annoyed by authors who whinge about writing. It’s hardly the coal face, is it? At the moment, though, I’d have to describe the process as ‘challenging’.

I’m on book three of the Orion trilogy and I’ve left myself more far loose ends than I know what to do with. It’s like the literary equivalent of Twister and if I don’t finish it soon I’m going to sprain something.  (I might ask JK Rowling to write it for me under a pseudonym.)

But it’s still great fun. It’s a long-held ambition of mine to write something this epic and it’s great to be on the home stretch and see all the threads coming together.

After Orion, I’m planning on cleansing my palette with something non-GW and then, if they’ll have me back, working on some smaller Warhammer books that require less mental wrestling.

He2etic: What kind of music do you listen to? Is it important that you listen to music while you write?

Darius: I used to listen to all sorts of music when writing, but for the Orion books it’s mainly been classical. It’s the usual suspects  – Mozart, Brahms, Beethoven etc. I tried listening to The Rite of Spring (seemed appropriate) but my cats kept rioting.

When not writing, I mainly listen to slacker indie guitar bands led by singers who can’t hold a note. I hate singers who can actually sing. Apart from Chan Marshall of Cat Power. Her voice is so perfect that I can forgive her for occasionally being in tune.

“I do find it vaguely unnerving when I read back through some of the really bloodthirsty stuff I’ve written. Some sections of Tears of Isha are so vile I had to skip over them when checking the proofs.”

 

He2etic: Can you tell us more of how the Warhammer Hero novel Sigvald came to be?

Darius: I couldn’t quite believe that no one else had snapped him up. He was such a gift. Only a few paragraphs of information existed about him, but it was all gold: a deranged, all-powerful, hedonistic, vain, funny, tragic antihero – what more could an author ask for?

He2etic: How do you write such gritty and realistic action scenes?

Darius: As I said, I live in Nottingham. Ahem… Actually, I’m not sure. I grew up reading gruesome horror novels (Clive Barker, etc) so maybe that’s it.

Warrior Priest, by Darius Hinks

Warrior Priest, by Darius Hinks

I do find it vaguely unnerving when I read back through some of the really bloodthirsty stuff I’ve written. Some sections of Tears of Isha are so vile I had to skip over them when checking the proofs. I imagine I should seek some kind of person-centred therapy, but writing is cheaper.

He2etic: Do you have any long term projects for writing? For example, do you intend to someday spin your own franchise or complete a long novel series?

Darius: As I mentioned earlier, I’m working on an idea for a non-GW book. It’s fantasy, but not in the sword and sorcery sense and it won’t go beyond the synopsis stage until the final Orion book is finished (or my editor will kick my face off).

In terms of a series, there’s 40K character I’ve had my eye on for a while. I think he would be perfect for ongoing adventures, but it will depend on whether any other authors nab him before I get to him. I’m not going to mention his name as I’m hoping no one else has noticed how cool he is.

He2etic: Can you tell us more about your work for the Black Library?

Darius: I lose track of all the stuff I’ve written for BL over the years. I wrote a batch of short stories about ten years ago. There’s one I have quite fond memories of, called Calculus Logi.

The first book I wrote was called the Witch Hunter’s Handbook and the first novel was called Warrior Priest. I’ve written a few novellas and the Orion books are my first trilogy. I think I’ve written about seven or eight books but I might be making that up.

Sigvald, by Darius Hinks

Sigvald, by Darius Hinks

He2etic: Who are your favourite characters amongst both those you’ve written, and by other authors?

Darius: My favourite characters from my own books are a husband and wife duo called Jonas and Isolde. They inhabit a section of Warrior Priest that flowed through my fingertips so easily it was more like reading a novel than writing one. It’s the piece of writing I’m most proud of.

They’re villains, really, but I’ve always had a soft spot for them. I’d like to think that they’ll still be out there, entertaining mysterious guests at the Unknown House, long after I’m dead and gone.

Actually, I’d quite like to live with them, in their strange, musical, magic-filled rooms, with all the bears, weird instruments and piles of forbidden books.

My favourite character from a real book is Charles Arrowby from a novel called The Sea, The Sea. He’s a vile, arrogant antihero, but he’s hilarious. And it’s great fun watching him change from git to slightly less gitish git.

Thanks again to Darius Hinks for the interview! Follow the @BLBolthole on Twitter for updates, articles and more. This blog’s art was crafted by Manuel Mesones, and you can check out his portfolio.